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  <a href="/blog/blog/7208884/programme-notes-losing-touch">Programme Notes - Losing Touch</a>&nbsp;<span class='reset-font'>&nbsp;<span class="podcast"><img src="//assets-app-production-pubnet.bndzgl.com/assets/usersites/podcast-ff0f451d9e650aa49c1c887f1b4eab6655e151de0aba4c11a992f6637163c058.png" /></span></span>
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  <div class="message"><p>“Losing Touch” is one of my personal favourites that I have written over the last few years.  It was written during a baron spell of composing.  I had really fallen out of love of sitting down and creating for a while whilst the children were young.  </p><p>In my spare time one of the things I like to do is play computer games.  I've enjoyed this ever since I was young and my favourite games to play are ones with gripping stories.  Something I can lose myself in over the space of a few months.  I don't really read which is where I think this immersive outlet has come from.  I'm also don't watch much TV so it tends to be computer or piano!  Both of which I tend to find I have to enjoy late at night once the kids are in bed and Kate has head up too.  </p><p>During this baron spell I had just started playing a video game called Final Fantasy XV as I'm a big fan of the series.  I've mentioned the composer of the earlier games as a big inspiration to me, Nobuo Uematsu.  I've written a whole blog post just about his works.  This game though was scored by the incredibly talented Yoko Shimomura.</p><p>There are two pieces in particular from the game that I really like.  Both are played during the main menu screen.  the first is called “Somnus” which plays whilst you are completing the game.  The second is called “Noctis” which plays once you have completed the game.  </p><p>“Somnus” starts with these big open chords on the piano with lots of space between.  The main theme is played by a violin over the top after the introduction.  It then builds the orchestra in over time and becomes more intense.  i loved this idea and started playing around with minor chords and then creating extensions of these to fit the changing mood.  Halfway through I stop and then let fly with the same melody and harmony but embellished with arpeggios and other progressions.  The piece is quite short but I really enjoyed the effect it left on me.  I really enjoy playing this one a lot as I love the sudden shift.</p><p>I named it “Losing Touch”, partly down to the opening sombre chords but also due to the fact that I felt I had lost my way with creating and this gave me a bit of a lease of life again.  if I ever get around to playing concerts, you can bet this will make an appearance!</p><p> </p></div>
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  <a href="/blog/blog/7203814/personal-inspirations-my-daughters-grace-and-amber">Personal Inspirations - My Daughters, Grace and Amber</a>&nbsp;
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  <div class="message"><p>On the 9th July 2014 I became a father.  Our beautiful, creative daughter, Grace was born and along with her entrance to the world came a new place of inspiration.  Even before she was born, my feelings and thoughts were expressed musically through a piece called “Crossroads Of New Beginnings” which was about the new journey that Kate and I were about to embark on.  I also wrote 2 other pieces of music, one for a girl and one for a boy.  “Grace” was the eventual name of one of these and the other is called “The Unused Name”!  All three of these tracks can be found on my second album, “A Busy Couple Of Years” alongside one other piece called “Grace's Lullaby” which was written a few months after she was born.  </p><p>Amber joined our little family on the 7th August 2017 and she also received her very own piece along with another unused name piece!  I haven't released these pieces yet but I intend to go back through my compositions to revisit them.  </p><p>Since these initial pieces though, I've created a few others.  These pieces probably reflect my daughter's personalities a bit better now then the original pieces as I have come to know their characters more.</p><p>Grace is creative, enjoys singing and telling stories and very social and very loud!  She is however, a bit of an introvert and likes to keep her skills to herself a bit more.  I wrote a piece for her called “Grace Dancing” when she was about 3 years old after watching her dance to “Let It Go” from Frozen.  There was a sweet elegance peppered with a few stumbles and I created an impressionistic piece to fall in and out of different tempi.  I like to think that it could be painted with watercolours.</p><p>Amber is inquisitive, caring, logical and a little bit wild! Also very loud!  She's a little bit more of an extrovert and is happy to show off a little bit.  Not too over the top but a bit more so than Grace.  “Amber Dancing” is a uplifting, lilting piece with a hidden stamping middle section to reflect her boisterous side!  Amber is more likely to dance around these days rather then Grace and likes to listen to me play the piano and join in.</p><p>I'm sure I will add more pieces to the girls collections over the coming years.  I can often come up with a happy tune after a day out as a family but these often come across a bit more silly and mischievous for me to want to release them!  Maybe one day.</p><p>I look forward to more inspiration from my two baby girls in the future.  Love you both so much, now and forever.</p></div>
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  <a href="/blog/blog/7198949/programme-notes-last-train-home">Programme Notes - Last Train Home</a>&nbsp;<span class='reset-font'>&nbsp;<span class="podcast"><img src="//assets-app-production-pubnet.bndzgl.com/assets/usersites/podcast-ff0f451d9e650aa49c1c887f1b4eab6655e151de0aba4c11a992f6637163c058.png" /></span></span>
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  <div class="message"><p>My first release of 2023 was a darker, more melancholy EP to reflect the darker months of the year.  I already had a few older tracks that I was planning on using on the EP but I had recently come up with a new piece which fit the bill well.</p><p>“Last Train Home” gets it's name and inspiration from a piece of music by the legendary Japanese composer, Joe Hisaishi.  He wrote a piece of music called “Sixth Station” for the studio ghibli movie “Spirited Away” that shares a similar style and mood and it made me also think of feelings of retuning home late after work.  </p><p>It has an uplifting opening passage which quickly turns dark and mysterious.  I liked playing with the space between sound with this piece.  however, in the middle, the music picks up speed which reflects the nature of the train journey home.  This comes to a climatic point where the music returns to the opening motif and finishes in a sadder tone.</p><p>This piece was the last piece that I created a music video for.  I had to make a decision about priorities when releasing music and the music videos fell by the wayside.  This being said, I think the music video is quite atmospheric and effective.  It also features a random spaceman on an empty train carriage! Don't ask!</p><p>It feels strange in a way that only a couple of pieces that were actually written this year have been released.  It makes me feel like I should really sit down and create a bit more but I always seem to run out of time these days which is a shame.  Even though I wrote this piece this year, I don't play it very often.  I'm not sure why, maybe because it feels more like a night time piece or one for the winter.  Maybe I'll be more inclined later this year again.  I do like the occasional darker tune.</p><p>It was the lead track from my EP “And Then It Went Dark” and I'll be looking at the other tracks in my programme notes over the next month or so.  In the meantime, have a listen with the music player below.</p><p> </p></div>
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    <p class="post-info"><span data-time="2023-04-28T22:30:17+01:00" title="April 28, 2023 22:30">04/28/2023</span></p>

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  <a href="/blog/blog/7194830/from-start-to-finish-the-road-to-third-perspective">From Start To Finish - The Road To &quot;Third Perspective&quot;</a>&nbsp;
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  <div class="message"><p>There's quite a lot that changed with my recording process moving on from my charity albums.  I had actually put the idea of releasing music again to bed.  Life was busy, in a nice new way with starting a family with Kate, so there didn't seem to be much time to sit down and start recording.  I was still playing and occasionally making new music but without any goals in mind.  It wasn't until the lockdown hit that it just dawned on me.  </p><p>My brother in law, Dave, passed away from COVID.  It was very traumatic for the whole family, let alone my sister in law, Helen, my nephews, Max and Oscar and my in laws, Rob and Bev.  Dave was only 49 and to see how things went still angers and shocks me.  His passing though did make me sit up and think, “What are you doing?  You have all this music doing nothing, why not just give it a shot?”</p><p>So through the summer months of 2020 I decided it was time to look into releasing music again.  But this time for myself.  However, after listening back to all my old work I was just not happy with the quality of the recordings.  I needed to try and take a more professional approach.  But with a limited budget!</p><p>There were a couple of paths I could take to achieve this.  Upgrade my recording equipment with new mics, audio interfaces and a better DAW.  I had been using a free simple program called Audacity for years which had done the job but had quite a few limitations.  The other path was the one I took, mainly because I wanted to hear some of my music along with other instruments.  To do this with a lower budget you can look to writing music with MIDI.</p><p>For those who don't know, MIDI is data not sound.  You program in the notes, volumes and pedalling and these can then be assigned to different digital instruments.  The problem is that it is hard to get decent quality sounds without paying a fair sum of money for them.  </p><p>The other bonus to working with MIDI is that if you make a mistake with a note like playing the wrong note, clipping it or playing it too hard or soft, you can go back and edit in what you intended!  Trust me, this happens a lot!</p><p>So over the summer I set about learning MIDI on a new DAW called cakewalk.  It's still a free DAW but is a better spec than audacity.  It just takes time to learn everything.  I made quite a lot of mistakes along the way but I was very encouraged after recording a piece that is based off of “Burning” by Einaudi.  I never released this track as it was more of a learning tool but having listened to it again recently, it's not too bad!  I called it “Template” purely as it was a teaching piece.</p><p>However, I was trying to record my digital piano whilst using MIDI to imitate strings.  This was still problematic as I was getting feedback still from the piano and couldn't edit things how I wanted.  I decided to stump up some cash to buy a piano MIDI sound and chose Cinematic Studio Piano.  I'm very happy with my choice as I believe it sounds very realistic.  So with these issues sorted I started to record the tracks for my new album “Third Perspective”.  </p><p>I'll discuss the process of this in another post at a later date.  I hope this post has enlightened you on the ways recording has changed for me.</p></div>
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    <p class="post-info"><span data-time="2023-04-22T00:42:21+01:00" title="April 22, 2023 00:42">04/22/2023</span></p>

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  <div class="message"><p>And then there was one!  Before we look at the final piece from “Third Perspective” I thought I'd mention how quickly things can change with streaming.  With a little bit of help with the spotify algorithm, “Evening tide” went from being my most underperforming track off the the album to one sitting in the middle in terms of streams.  It's quite easy for spotify to give tracks a boost by adding a track to another artists radio playlist.  You only have to get in the mix with a very popular artist to see a healthy boost.  “Evening Tide”, “Out of Isolation” and “Safe” all received a nice little bonus over the last week or so.  </p><p>Onto the last track off of the album.  “You'll Never Know” is actually one of my favourites.  After releasing both “Morning Tide ” and “Surge” to very meh responses I learnt that the more passive listening route would gain more traction.  The problem is that I want to write music that will be listened too rather than stuck in the background somewhere.  I don't mind this, it's just a bit demoralising.  I realise that most people listening to classical music do so with calm or relaxing pieces to study or sleep too.  It's just the way things are with the style of music I write. This has opened my eyes to some new possibilities though.  </p><p>Saying all of this though, when I have an album in mind, I like the idea of finishing the album with a reflective piece of music.  I did this with both of my charity albums and wanted to continue that here as well.  “You'll Never Know” is a very free and open intimate piano solo which could be seen as a tear jerker or a bittersweet love song.  I personally see it as the latter but I like the subjective nature of it.  It is written for my wife, Kate, and the title comes from a thing she always says to me.  She will ask “How much do you love me?!” My answer is always “You'll Never Know”!</p><p>I could almost put lyrics to the music in my head with this piece and I find this very therapeutic to play.  After it's release, “You'll Never Know” easily became my best performing track.  All this being without any marketing through ads (maybe I should look into it!).  It got added to lots of playlists and has taught me that I should release at least one very chilled or sleepy piece on my EP's as it is easy to promote these tracks.</p><p>And with that, we come to the end of our journey with “Third Perspective”!  I've found it very helpful to put down my feelings and thoughts about the album in these programme notes.  I will definitely be doing these for my other pieces but I may see if there is a way to feature these selections in a folder so listeners can learn a bit more about the pieces on any given EP or album.  </p><p>Thank you for reading all about the music on “Third Perspective” and joining me on this journey.  </p><p>  </p></div>
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  <a href="/blog/blog/7182899/musical-inspirations-joe-hisaishi">Musical Inspirations - Joe Hisaishi</a>&nbsp;<span class='reset-font'>&nbsp;<span class="podcast"><img src="//assets-app-production-pubnet.bndzgl.com/assets/usersites/podcast-ff0f451d9e650aa49c1c887f1b4eab6655e151de0aba4c11a992f6637163c058.png" /></span></span>
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  <div class="message"><p>Joe Hisaishi is a relatively new musical influence.  He is probably most famous for his musical scores to the studio Ghibli films.  These films only really caught my attention within the last 5-6 years but it was actually hearing a piano playlist to the films to brought me to them.  Although he doesn't record the soundtracks to every film you would probably consider his works to be the most famous.</p><p>I think I'm quite sterotypical with my favourites by Hisaishi.  “merry Go Round Of Life” is an absolutely beautiful waltz and seems to be everywhere these days.  I also love the music from the film's “Spirited Away” and “Kiki's Delivery Service”.  This latter film having so many fantastic works.  I particularly love his piece's “One Summer's Day” and also “A Town With An Ocean View”.</p><p>I think the thing that sings to me in his music is the way he uses a beautifully simple melody which is covered over with strange dissonant chords.  This gradually makes way incorporate so many extended  jazz chords until it builds to a grand ending.  The melodies are soaring, tender and are so elegant.</p><p>I will often go through stages in my life where I really get caught up in these elegant melodies and you can tell by the music I produce.  A lot more classically based and a lot more waltzes!</p><p>I still like to detach myself from the films and listen to these works out of context and I absolutely love hearing the solo piano versions.</p><p>I now teach quite a few of his works to my students and they seem to go down well.  Again, it's hard to step away from the big hitters but I will throw a couple of others into the mix like the theme's from “Castle In The Sky” and also “Valley Of The Wind”.</p><p>These films have become my family's comfort food which we will often put on once a month to chill out too.  Therefore, I get the chance to listen to these beautiful works quite a lot without needing to find versions on youtube and spotify.  I definitely need to get my monthly fix of Joe's music!</p><p>I really need to experiment more with the modern classical jazz approach to creating stunning music.  They instantly feel like they come from a Japanese or Korean series or film.</p><p>If you get the chance, look up a solo piano ghibli playlist and indulge in some beautifully melodic and relaxing music.  You won't be disappointed.</p><img src="//images.zoogletools.com/s:bzglfiles/u/661790/58cf8095fa0c1877fc09eb6f597b37709ad4396e/original/joe-hisaishi.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></div>
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    <p class="post-info"><span data-time="2023-04-03T00:14:51+01:00" title="April 03, 2023 00:14">04/03/2023</span></p>

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  <a href="/blog/blog/7178165/programme-notes-evening-tide">Programme Notes - Evening Tide</a>&nbsp;<span class='reset-font'>&nbsp;<span class="podcast"><img src="//assets-app-production-pubnet.bndzgl.com/assets/usersites/podcast-ff0f451d9e650aa49c1c887f1b4eab6655e151de0aba4c11a992f6637163c058.png" /></span></span>
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  <div class="message"><p>“Evening Tide” is the sister tune to “Morning Tide”.  They are both inspired by the British coastline.  Both on overcast days although “Morning Tide" in the Autumn and “Evening Tide” was in the spring after the clocks went forward.  They are also both inspired by the works of Ludovico Einaudi and based heavily in minimalism.  </p><p>When I wrote this piece I remember wanting a main chord pattern that I could jump back to between the melody line.  The melody is up high whilst the chord pattern is lower down.  I like the contrast between the two lines.</p><p>As I had already added a string part to “Morning Tide”, I wanted to mirror this with “Evening Tide”.  I was fairly brave with this track as almost the first minute is written only for strings.  I got this idea from a piece by Einaudi called “Fuori Dalla Notte”.  I think it works quite well although I'm still not fully happy with the string parts later in the piece.  </p><p>This is the longest track from “Third Perspective” because of the extended intro.  </p><p>I always wanted to have the two tide pieces opening and closing the album as I thought it told a story so these two were planned from the offing.  I feel though that “Evening Tide” stays in it's sister's shadow a bit.  I prefer to play “Morning Tide” anyway!</p><p>As it so happened it was not the last track on the album and was bumped up one!  There was a reason for this but I'll share that with you in the last programme note of “Third Perspective”.  The essay is nearly done! </p></div>
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  <a href="/blog/blog/7173934/personal-inspirations-joan-miller">Personal inspirations - Joan Miller</a>&nbsp;
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  <div class="message"><p>When I was around 7 or 8 my mum, Hazel, started having piano lessons as we had inherited an old pub piano.  This piano had an awful lot of history but I think I will share some of my piano stories in a different post.  However, as my mum found out, I was quite inquisitive about this new instrument.  Because of costs, my mum decided to stop her lessons to let my brother, David, and I start playing.</p><p>We went to have lessons with a lady in our village called Joan Miller.  Joan had both a piano and an organ and she was an organist at heart.  One of the main reasons we had lessons with Joan was because she refused to do grade exams which my mum liked the idea of as she wanted us to learn for fun.  Although I teach grades, I really respect her for this approach.  Lessons never got that serious and rather than learning classical music, I was allowed to learn pop songs, theatre pieces and TV themes.  I did learn some classical but I loved this approach as the whole thing felt more relaxed and it's something I try to approach with my students.  </p><p>One of the major inspirational points from this era of my piano life was Joan's love of ragtime.  She had learnt a rag by Winnifred Attwell called “Britannia rag”.  I loved hearing this piece and often asked her to play it to me.  Joan then gave me a simplified version of Scott Joplin's “Maple Leaf Rag” but even this was too hard for me at the time. Over the next 6 months I managed to learn it though and even to this day I can remember it off by heart.</p><p>I was not the best of students and I could see Mrs Miller getting frustrated at my lack of practice at times.  I have various old books from Joan which say “Practice More” all over them!  I also liked to take creative liberties with the music.  However, her more liberal approach really inspired my teaching and playing and I can't thank her enough for this.</p><p>A few years ago, I bumped into Joan and her husband John and we would go over every now and then for a catch up.  She makes a mean cocktail as they used to own various pubs and hotels.  Always welcoming and caring she is a pleasure to speak too.  </p><p>I hope that by releasing music I have made her proud.  I will always keep in mind how fun Joan made our lessons and I endeavour to stay true to these principles when teaching my students.  At it's core, music should be a creative, liberating experience but should also be fun.</p><p>Thank you Joan for your support and patience.  I wouldn't be doing this now if it wasn't for you.</p></div>
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  <div class="message"><p>“Embrace” is one of the older tracks off of “Third Perspective” and also the longest is you remove string parts from other tracks.  It was born one evening when sitting at the piano and playing some soft, slow, delicate chords.  I then let the music evolve around these chords until the music finally works it's way back to the original chord progression.</p><p>My wife, Kate, was sitting and reading a magazine but stopped to listen and after I had finished playing she came over to me and gave me a big hug and told me that she loved this new piece.  I named it “Embrace” after her reaction.  </p><p>I decided to keep “Embrace” as a solo piano piece on “Third Perspective” as I felt that the slower, more intimate pieces worked better as solo pieces.</p><p>“Embrace” was one of the last additions to “Third Perspective” as I knew I wanted one more really calm piece of music to start to wrap up the album.  After releasing an EP or album I always find it interesting to see whcih tunes get more airplay and love and which don't stick.  Considering that “Embrace” sits towards the end of the album I was quite surprised at it's popularity.  After the promoted singles off of the album, it is easily the best performing piece of music.  This information is always very helpful as to figuring out what sort of music to release or promote next.  I have a lot of compositions to record and release so there is no urgency to write new material yet so it gives me ideas where to go in the future.</p><p>Strangely, “Embrace” doesn't get much love from me! I don't really play it very often but maybe I should tinker with it a bit more.</p><p>Only two more tracks left to detail for you from “Third Perspective”.  Polar opposites in popularity, my best performing and least performing pieces from the album!</p><p> </p></div>
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  <div class="message"><p>After releasing “The Last Leaf To Fall” back in 2014 I definitely caught the composing bug.  I really enjoyed the process, although stressful at times it felt good to finally share some of my original works with the world.  </p><p>Originally I had it in my head that I should release an album every couple of years.  In principle this sounds great as I honestly believe I have enough material to do so, but in practice the amount time needed to record, doubt yourself, edit, doubt yourself and then master, along with some more self doubt actually becomes draining.  Why am I doing this again?!  </p><p>The years between 2013-2015 were very busy.  From being a best man, to getting married myself, to buying our first home, to having our first child, it all became a blur and overwhelming.  I used music as an outlet during this time and I was relatively productive.  To mark special occasions or events I tend to write a piece of music to show my feelings at the time.</p><p>“A Busy Couple Of Years” was the culmination of these years.  Along with a smattering of my favourite pieces over this time, it told the story of our life as the music progressed through.</p><p>“Final Words From A Best Man” was written for Thurstan and Sarah Gray after Thurstan asked me to be his best man at his wedding which back in the Autumn of 2012.  “Rainbow Moonstone was written after visiting Norwich and buying a rainbow moonstone necklace for my then fiancee, Kate, as a engagement gift.  ”Happy Marriage Mrs Laurence" was written for Kate on our wedding day and the name is a spin on “Merry Christmas mr Lawrence” by Ryuichi Sakamoto.  “A Crossroads of New Beginnings” was written after finding out that Kate was pregnant.  “Grace” and “The Unused Name” were both written with both baby names in mind.  “Grace's Lullaby” was written as a soothing piece to put Grace to sleep at night ( it didn't work very well) and lastly, “Paper Carnations” was written for our first wedding anniversary.  This tune is a bit of a black sheep as rather than being overly romantic it was actually born from quiet sentimentality and nostalgia at looking back at the last few years. Phew!</p><p>Along with these musical markers came a handful of other pieces.  Some of my favourites are “Life Changes Key”, “Life's Kaleidoscope” and “Song For Grey Skies”.</p><p>I knew I wanted to release it as another charity album as I liked the idea of the proceeds going to a good cause so I chose a local hospice to me, St Helena Hospice.  The album released back in 2016.  To be honest I was relieved and needed to recharge.  I wouldn't release any new music for another 6 years which seems mad to see how time went so quickly.</p><p>The experiences of recording both my first 2 albums taught me a lot but also left me with several questions.  Not least, about how to market and promote myself better.  All in good time I guess.</p><img src="//images.zoogletools.com/s:bzglfiles/u/661790/985cd9ac622a71bd9f9c3d2b3916466a445bf71a/original/a-busy-couple-of-years-cd-front-cover.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></div>
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