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  <a href="/blog/blog/7160370/programme-notes-out-of-isolation">Programme notes - Out Of Isolation</a>&nbsp;<span class='reset-font'>&nbsp;<span class="podcast"><img src="//assets-app-production-pubnet.bndzgl.com/assets/usersites/podcast-ff0f451d9e650aa49c1c887f1b4eab6655e151de0aba4c11a992f6637163c058.png" /></span></span>
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  <div class="message"><p>as you might guess, “Out Of Isolation” was written during the pandemic.  I had come up with the original chord progression just before the lockdown which had a unsure but hopeful tone.  I really liked how the more intense section turned out with this piece.  The middle section to the music modulates to different keys which is something I should do more as it gives a new life to chord progressions.  Recently, I've found I like a certain set of chords and I tend to riff around them more like a pop song.  There's something very satisfying taking a piece and creating a completely fresh middle section which links back to the main theme.  This can take a while to complete but when it works it is much more fulfilling.  </p><p>I tend to find that the pieces that I create which experiment a bit more are the ones I tend to continue playing for a longer time.  “Isolation” fits nicely in this category.</p><p>When creating my album “Third Perspective”, I knew that I wanted to have a mix of piano solos, piano and strings and also piano and synths.  The synth treatment went to “From A Third Perspective” and “Out Of Isolation”.  I would say that I definitely think “Third Perspective” worked much better and I really liked that arrangement.  The thought process behind “Isolation” was to create noise at the beginning and end with the piano finding it hard to cut through.  I wanted this to feel intrusive but then cut the noise to reveal the solo piano part which is like the moment of clarity within the pandemic.  The noise at the end was an uncertain future. </p><p>I'd love to experiment more with synths and pads as I really enjoyed messing about with the different sounds.  it just takes quite a bit of time to complete pieces with so many layers.  I think if I set myself a goal to maybe try 3 or 4 a year this may give me enough variety to play with.  Maybe when I have more time in the summer.</p><p>Let me know what you think.  Should I experiment a bit more or stick to solo piano?</p><p> </p></div>
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    <p class="post-info"><span data-time="2023-02-25T00:32:56+00:00" title="February 25, 2023 00:32">02/25/2023</span></p>

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  <a href="/blog/blog/7152618/musical-inspirations-olafur-arnalds">Musical Inspirations - Olafur Arnalds</a>&nbsp;<span class='reset-font'>&nbsp;<span class="podcast"><img src="//assets-app-production-pubnet.bndzgl.com/assets/usersites/podcast-ff0f451d9e650aa49c1c887f1b4eab6655e151de0aba4c11a992f6637163c058.png" /></span></span>
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  <div class="message"><p>Olafur Arnalds is a relatively new inspiration to me.  I first came across his music during the coronavirus lockdown back in 2020 and quickly got hooked.</p><p>I would definitely say that although I like most of of his music, I am heavily drawn to certain pieces so others take a backseat.  </p><p>The first piece I heard by Arnalds was “Only The Winds”.  This is probably still my favourite although quite a few others are up there with it for me now.  I loved the combination of simple piano with added string and synth layers sweeping in which is brought together with a pulsing bass drum and a gun shot effect.  These percussive sounds blew my mind.  Adding beats to classical music?!  I know this has been done before with reimaginings of famous pieces but this experimental idea really caught my attention.  And then they all start to disappear only to be brought back with rising strings which give me the chills each time.  An absolutely beautiful ending.  This piece really inspired my version of “From A Third Perspective” which was restructured from another piece I had written for solo piano.</p><p>From here I went through his back catalogue of releases and discovered some other gems.  I really like “Re:member”, “We Contain Multitudes”, “Saman” and “Near Light” but there are so many more.   I seem to either really like his solo piano pieces or the pieces which are more experimental rather than just strings and piano.  i also prefer the slightly more structured pieces rather than the improvised style pieces.</p><p>I would like to experiment a bit more with my music as I really liked how “From A Third Perspective” turned out and I think I prefer to play around with synths more than with more traditional instruments these days.  The only issue is having the time to explore these ideas but I do really enjoy the process.  </p><p>I wouldn't have thought about trying these new ideas out if it hadn't been from listening to Arnalds work.  I look forward to whenever he releases new music as I like to see where he has taken things again.  </p><p><img src="//images.zoogletools.com/s:bzglfiles/u/661790/599626a9e37ee59c1c608c968c7550764a0d9438/original/olafur-arnalds.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p></div>
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  <a href="/blog/blog/7148620/programme-notes-we-wait-for-nightingales">Programme Notes - We Wait For Nightingales</a>&nbsp;<span class='reset-font'>&nbsp;<span class="podcast"><img src="//assets-app-production-pubnet.bndzgl.com/assets/usersites/podcast-ff0f451d9e650aa49c1c887f1b4eab6655e151de0aba4c11a992f6637163c058.png" /></span></span>
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  <div class="message"><p>The conception for "We Wait For Nightingales" (I'll just call it "Nightingales" from now on) is actually one of the more interesting or strange ones I've had.</p>
<p>After teaching one Tuesday evening nearly a decade ago, I started to hum a melody on my way home.  It had a slightly Celtic/folk feel to it and I felt that I had heard it somewhere before.  When I got home, I sang it to my wife, Kate.  She said she didn't recognise it so I sat at the piano and the opening theme was created quite quickly.  I then set about putting chords to the melody and elaborated into other sections.</p>
<p>The melody was good for turning into compound time so it morphs into triplets halfway through.  I feel this give the tune that Celtic swing feel.   The only problem was knowing how to finish it as it kept building and building.  I decided to taper off into a bird trill which gradually fades for a reprise of the opening melody.</p>
<p>I feel that "Nightingales" has one of the more distinct melodies on "Third Perspective" and is easy to hum back.  It seems to stick in most people's heads, like a folk tune I guess.</p>
<p>When deciding what pieces I wanted to keep as solo piano and which to add strings or electronica too, this was an easy choice.  I could hear soaring string parts in my head and after listening to quite a bit of Einaudi's "In A Time Lapse" album I knew to base this off of a tune called "Burning".  I really like how the lower strings ended up in this as I brought them to the front of the mix a bit more and the cello stands out for me.  I also played around with faster triplet sections for the violas towards the end which I still can't make my mind up about.  They do bring a sense of movement to the music which is what I was after I guess.</p>
<p>I later took away the strings again to re-release it as a solo piano piece on "And Then It Went Dark".  My music is always written in mind of being a piano piece first and then embellished with other instruments as I see fit.  I think this pieces works well in both cases and I enjoy listening to both versions for that distinct melody.</p>
<p>I have never again come up with a piece by just humming a melody, or at least, not one I'm happy with.  This one was a bit of an anomaly so I think that's why it sticks out to me.</p>
<p>I've attached the version with strings to the blog post as I'm following the theme of completing the "Third Perspective" programme notes.  Have a listen and let me know what you think</p>
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    <li><a type="audio/mp3" data-id="3247923" data-artist="Richard Laurence" data-duration="3:41" data-title="We Wait For Nightingales" data-category="Plays" data-dest="/podcast/7148620/tracks/3247923.mp3" data-zoogle-track="true" class="play" href="#">We Wait For Nightingales</a></li>
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    <p class="post-info"><span data-time="2023-02-04T14:02:53+00:00" title="February 04, 2023 14:02">02/04/2023</span></p>

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  <a href="/blog/blog/7145375/third-perspective-artworks">Third Perspective - Artworks</a>&nbsp;
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  <div class="message"><p>Hi all.  Just before I share the stories about the artwork to the tracks on "Third Perspective" I thought I should mention the disaster I had this last week!  All music, blogs and videos had to stop as my hard drive corrupted and I lost almost all my work.  I'm absolutely gutted knowing that I won't be able to get back some of the inner workings to my compositions on "Third Perspective".  It's also put me behind schedule with releasing my work so bear with me for the next a couple of weeks.  I'll keep everyone updated with things going forward with some new exciting projects coming up.  </p>
<p>Onto the artwork.  I thought it would probably easier to talk through the thought processes of all the artwork and videos together, otherwise with all the other blog series, it would be hard to keep up.  For this post I will look at the 5 artworks I used last year for the singles and album.  Actually it's probably going to be 4 artworks as I did a bit of a dive into "Morning Tide" already in a previous blog.</p>
<p>"Surge"</p>
<p><img src="//images.zoogletools.com/u/661790/2348604d9cf239a23a38cbf9e6868afc6f50111d/original/surge-static-artwork.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" />The image that painted in my head when I was writing "Surge" was that of a heart monitor getting a lease of life and getting an electrical surge, hence the name.  Originally I was going to use another image instead of a lightning bolt hitting a power station but I remember getting issues with it due to the landscape becoming to squashed when producing the artwork.  I went for the static from a TV instead and the font was found online.  This one is a bit of the black sheep of the artworks I guess but so was the track.  I still love playing it though.</p>
<p>"You'll Never Know"</p>
<p> </p>
<p><img src="//images.zoogletools.com/u/661790/bf2a5746d84874efd7e504e5272e0e73c0552444/original/youll-never-know-square.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.png" class="size_l justify_center border_" />My sister-in-law, Helen, made this canvas which hangs in her lounge.  I really liked it, especially the little heart on the big brown button.  It makes me think of a secret love hidden away just for you.  For this image, I added a blue tint to make it look slightly less vibrant with more pastel tones.  Due to the nature of the tune, I leave it up to the listener to decide whether they think it is a love song or unrequited.  This piece is written for my wife, Kate, so I know which one it is to me but I'll save that story for the programme notes!</p>
<p> </p>
<p>"And Breathe"</p>
<p> </p>
<p><img src="//images.zoogletools.com/u/661790/c98280ed09e8ac8220dd2db2d1eb807a919013fb/original/and-breathe-square.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.jpg" class="size_l justify_center border_" />"And Breathe" is inspired by getting outdoors so mental wellbeing.  It's probably a bit generic but I do like the effect of looking up at the sky through the trees.  This image is just a stock image shot but it worked well as a square image so that's why I chose it.</p>
<p> </p>
<p>"Third Perspective" and "From A Third Perspective"</p>
<p><img src="//images.zoogletools.com/u/661790/f55df5a2f7084fba8a8f1b01fe34c0098b04a980/original/third-perspective-album-artwork-no-brian.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==/b:W10=.png" class="size_l justify_center border_" />"When I first started using spotify i would listen a lot to piano and strings playlists, and there was one particular curated by Brian Naylor.  When I looked Brian up on IG I not only found that he had created a brilliant playlist but was also an amateur photographer and had taken some absolutely stunning shots.  I got in contact with Brian and pestered him for a bit as I found this image I wanted to use!  It fit my idea for the album artwork perfectly as the split of the sea and land, along with the dark clouds rolling in built these beautiful natural geometric patterns giving the 3 perspectives of water, sky and darkness rolling in together.  It's stunning.  I'm so pleased he was happy for me to use it.  I hope to stay in contact with Brian as I'd like to use some more of his shots in the future.  </p>
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  <a href="/blog/blog/7139645/programme-notes-safe">Programme Notes - Safe</a>&nbsp;<span class='reset-font'>&nbsp;<span class="podcast"><img src="//assets-app-production-pubnet.bndzgl.com/assets/usersites/podcast-ff0f451d9e650aa49c1c887f1b4eab6655e151de0aba4c11a992f6637163c058.png" /></span></span>
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<p>A NOTE OFF TOPIC!</p>
<p>A bit of a delay on a blog post so I've already broken a new year's resolution over posting each week!  I think it's going to be hard to keep up with all the programme notes if I'm going to release music on the scale I was planning this year.  I think that I will have to cover certain elements like artwork and videos in combined posts in the future.  </p>
<p>BACK ON TOPIC!</p>
<p>"Safe" was conceived whilst playing and improvising on my acoustic piano inside my house.  I have a separate cabin/studio where I teach and record using a digital piano which is where I find myself a lot these days!  Unfortunately, my piano inside gets used a lot as a shelf by my Grace and Amber's latest craft projects.  If it gets cleared, it often gets covered up again quickly!  </p>
<p>Sometimes though, if they are busy playing a game with my wife or otherwise occupied I sit down to play for a few minutes.  Whilst watching them all playing "shopping and cooking" one day I composed this tune and originally called it "Family Time" as it made me feel warm and content.  It's quite sweet and intimate which is why the name changed to "Safe" over time.  Although there is a heavier part the general feel was for cosiness. </p>
<p>I don't really play "Safe" a lot these days as I tend to be either playing newer compositions or a select few of my favourites which usually get released as singles.  I don't want to neglect these other pieces though which is why I want to write these blog posts.  Even if I stop playing a tune I want to remember why it came to be.  I have too many pieces in my composition folder that I look back at and think "What was I thinking or feeling at the time?"  I think that's a shame to forget so by keeping this online diary I can always look back and remember, even if no one else reads the blogs!  </p>
<p>I suppose there isn't much more to say about "Safe".  I wanted some intimate music on "Third Perspective" and this made the cut.  I see this track on the album as an ode to every day family life.  I don't write too many pieces which are fully closed as I like to build dynamics and layers but I think it is necessary to have the quiet moments on a album to reflect on.  </p>
<p>So, not so much of a breakdown or story to this track.  I don't like to over explain the structures and chord progressions in the blogs as I would rather associate my music with a memory, a person, an event.  </p>
<p>Thanks for reading and listen to my inner ramblings.  I personally find these posts very therapeutic.  A means to calm down and take stock.</p>
<p>The link to Safe is below if you fancy a listen.</p></div>
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  <a href="/blog/blog/7134489/personal-inspirations-my-mum-hazel">Personal Inspirations - My Mum, Hazel</a>&nbsp;
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  <div class="message"><p>When I was around 7 or 8 my mum started having piano lessons as it was something she had always wanted to do.  We had just inherited a piano from a family friend so it seemed like the right time I guess.  Her lessons though were replaced by lessons for my brothers and I as we had shown an interest in learning by messing about on the keys.  </p>
<p>We started having lessons with a local teacher, Joan Miller, who I'm sure I'll cover in a separate post so I'll leave that for another day.  </p>
<p>My mum would always encourage us to play but wasn't pushy.  There were a few times when I wasn't practising that I would be told that my lessons would stop but I'd do the same now being a parent!  </p>
<p>When I was 10 or 11 I decided to perform a charity concert in my house with a school friend who played keyboard.  My mum helped organise everything and supported us through our performances.  After this I noticed that when I played the piano my mum would probably be somewhere in the room listening in.  This became more apparent as I started to compose and make up my own music.  Even now, if I'm playing the piano at her house she will often come and sit and listen in.  </p>
<p>When I first started to teach piano and when I owned a music school she was the one to suggest the idea as I was both lazy and not particularly confident in my ability and needed pushing!  She has also been telling me to release music and perform for years which I have held off on.  It's only taken the best part of 2 decades to make the leap of faith so thanks for the nagging mum!</p>
<p>If it wasn't for my mum, I wouldn't be playing piano and composing, I'm almost certain of it.  I have her to thank for forfeiting her lessons so I could take up my art.  I have her to thank for guiding me towards my musical career and choices along the way.  We don't share many of the same musical tastes but I know she likes the music I make and let's me know what she thinks of new pieces when I play them to her.  </p>
<p>Thanks Mum for all your hard work and care.  I couldn't have done it without you.</p></div>
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  <a href="/blog/blog/7128989/programme-notes-and-breathe">Programme notes - And Breathe</a>&nbsp;<span class='reset-font'>&nbsp;<span class="podcast"><img src="//assets-app-production-pubnet.bndzgl.com/assets/usersites/podcast-ff0f451d9e650aa49c1c887f1b4eab6655e151de0aba4c11a992f6637163c058.png" /></span></span>
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  <div class="message"><p>During the first lockdown due to the COVID pandemic in the spring and summer of 2020, we were allowed to go outside for an hour of exercise each day.  Although I would not call myself a healthy person, I do like to get out for a walk to dust away the cobwebs.  These short walks, either by myself or as a family, involved a walk up to the local church or to a local lake/reservoir.  These routes got more and more crowded though due to everyone having similar ideas!</p>
<p>The main time I found which was less busy was either early morning or early evening.  "And Breathe" was conceived over a couple of walks at either end of the day.  I already had a rough sketch in my head after a improvising session of the main theme, however, I was inspired after enjoying the writing process of "Morning Tide's" string section to look at this again.  The difference being that "Morning Tide" was a self contained solo piano piece which had strings added.  "And Breathe" had a middle section which was written without a melody in mind for the piano part.  I envisaged a solo violin or cello playing a part over the top of the piano at this point.  </p>
<p>The piece is quite melodic in comparison to the 3 tracks before it on "Third Perspective".  Almost whimsical and meandering, which came from my feelings of being outdoors on the limited occasions we could.  I didn't want to go as full on with the string parts as I had with "Morning Tide" so it only involved a cello, viola section and a solo violin.  During the middle section the strings die away and a solo violin plays a slow but building melody over the piano accompaniment which crescendos to a climax as we return back to the main theme played slightly more intensely and in a more fluid improvisational style.  </p>
<p>I always intend for my piano pieces to be able to be performed without other instruments as well and I think this holds up well with "And Breathe".  I'm sure it will appear on an EP as a solo piano version at some point.  </p>
<p>Reflecting back on such a strange time, I definitely found solace in getting out in the open air and I appreciate these moments more and more these days.  I now try to go for a walk almost every day where possible.  This is often with my wife Kate on her days off or by myself.  I think most of my music that I wrote over 2020 was quite reflective and thoughtful towards the situation.  I really like this piece's therapeutic nature.</p>
<p>I probably need to start addressing the artwork and videos more in these blogs but It's hard to find the time to go over them all so I think I will do a longer post covering the artworks for an album and another on videos.  The reason I bring this up here is that "And Breathe2 is definitely my favourite video I've created so far.  I think the music fits the video really well and the story behind the music feels quite strong.  I think the message comes across well.</p>
<p>I don't play this tune as much as I should as I really enjoy listening back to it.  This was the follow up to "You'll Never Know" and unfortunately it didn't do as well as I had hoped.  However, when people feed back to me about the album, "And Breathe" generally is a favourite of most people which is good to hear.  The track is attached to this blog post if you fancy a listen.  </p>
<p>Thanks for reading and I hope you had a merry Christmas and let's hope for a better 2023.</p>
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  <a href="/blog/blog/7123307/from-start-to-finish-the-last-leaf-to-fall-recordings">From Start to Finish - The Last Leaf to Fall recordings </a>&nbsp;<span class='reset-font'>&nbsp;<span class="podcast"><img src="//assets-app-production-pubnet.bndzgl.com/assets/usersites/podcast-ff0f451d9e650aa49c1c887f1b4eab6655e151de0aba4c11a992f6637163c058.png" /></span></span>
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  <div class="message"><p>After managing to put together a reasonably sounding selection of music for our wedding,  I made the decision that I wanted to release some of my own music.  However, I wanted to release it to raise some money for a local charity to me.  The robin Cancer Trust (RCT).  </p>
<p>A couple of years earlier, a close family friend of ours, Robin Freeman, lost his battle with germ cell cancer.  It is a very rare form of cancer and is very invasive.  As there was very little awareness about this rare cancer, the Freeman family, along with other close friends set up the RCT to raise awareness.  The charity has gone from strength to strength under the watchful eye of Toby, Robin's younger brother and now they promote awareness nationwide.  </p>
<p>Here is a link to their website to check out the great work they do.  </p>
<p>https://www.therobincancertrust.org</p>
<p>I set about going through my old compositions, along with some new ones, to find a nice mix of relaxing pieces.  Originally I set my mind on 14 tracks but 2 others got added later on.  I recorded these pieces using the techniques I had learnt from recording the wedding album.  The most notable change was recording the pieces at a higher volume along with starting to master the ability to splice audio recordings to make one seamless piece with cracks and pops.  This was all done with my digital piano, audio in and out cables to the computer and audicity to record with.  These recordings were then exported as WAV files and then converted to MP3's.</p>
<p>I'm not going to talk too much about the tracks on the album as I'm sure I will revisit these at some point for programme notes, but my personal favourites are "Synergy" which was written late on and is the lead track and "The Last Leaf to Fall" which was written for Robin.  This was the last piece on the album which I thought was poignant.  I have used the idea of a slower, more intimate track as a final thought provoking piece on each of my albums now and I like how it works.</p>
<p>After the recording and editing (I hadn't really learnt how to mix and master then so the sound quality is a bit rough), I had to start looking into how to get my music out to the world.  I think I will cover the distribution and artwork side in another blog post as otherwise it gets a bit long! In the meantime, I will leave you with the title track from the album to have a listen too.</p>
<p>Have a great day everyone</p></div>
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    <p class="post-info"><span data-time="2022-12-15T12:22:06+00:00" title="December 15, 2022 12:22">12/15/2022</span></p>

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  <a href="/blog/blog/7115569/musical-inspirations-nobuo-uematsu">Musical Inspirations - Nobuo Uematsu</a>&nbsp;<span class='reset-font'>&nbsp;<span class="podcast"><img src="//assets-app-production-pubnet.bndzgl.com/assets/usersites/podcast-ff0f451d9e650aa49c1c887f1b4eab6655e151de0aba4c11a992f6637163c058.png" /></span></span>
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  <div class="message"><p>I've always been a bit of a gamer.  I was definitely more of a gamer when I was younger but I still enjoy playing from time to time.  When we were younger, my brothers and I used to play a lot on our SEGA master system (Yes, I am that old!) and then we upgraded to a SNES.  In my early teens I was looking to buy either a PS1 or an N64. The main reason though for this decision was because of 2 games.  Zelda - Ocarina of Time for the N64 and Final Fantasy VII for the PS1.  I had played both of these games at friends houses and instantly fell in love with the longer story aspect along with the music in both games. </p>
<p>One day I went to a local electrical store and saw an old PS1 which I could buy for around £40.  That made the choice for me so it was Final Fantasy VII for me!  This is still probably my favourite game of all time and I could talk for hours about it but what I really want to talk about is the music from that game.</p>
<p>The music was written by a Japanese composer called Nobuo Uematsu who has quite legendary status in the gaming community.  I was hooked.  The melodies in particular were sublime.  Nowadays, video game music tends to be more atmospheric background music but these tracks had strong melodies that you could sing or hum back.  Now, I know a lot of fans will look to the boss battle themes and intense music but I was much more intrigued by the subtle and delicate tracks.  </p>
<p>I loved the Main theme tune along with the more famous "Aerith's Theme" but my favourite was "Tifa's Theme".  There are so many though that I couldn't name them all.  </p>
<p>I was then incredibly excited to hear that FF8 was coming out soon and ever since I think I have played almost all of the games including the first 6 games on previous consoles.  However, after FF10, Nobuo Uematsu stepped away from the series and although I still love the music in the new games, his music made the most impact on me.  </p>
<p>During the early noughties, I started to learn quite a few of the pieces of FF music piano collection adaptations.  I think I must have learnt at least one piece from each of the first 10 games and these were not easy pieces of music.  Most of them were easily grade 7 or 8 standard so they took some time to work on!  </p>
<p>I think the main thing I have taken from Uematsu's work is the need for a strong melody at times.  I like to write, minimalist or neo classical music like Einaudi and I also like rhythmic layers like Olafur Arnalds and Nils Frahm, but for a romantic piece or something with an emotional punch, I need to have a strong melody.  Uematsu does this in spades and I love revisiting his music often.  </p>
<p>My favourites are "Roses of May" from FF9, "To Zanarkand" from FF10, Suteki da ne" from FF10, "Eyes on me" from FF8 (The instrumental version, not a fan of the song!) and "Tifa's Theme" is still my favourite.  </p>
<p>I have also played other games featuring his music and enjoy them too but i have more of an emotional connection with the FF series.  </p>
<p>Thank you Uematsu-san for your incredible moving music and I will continue to hold these dear to me.  </p>
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    <p class="post-info"><span data-time="2022-12-02T14:58:36+00:00" title="December 02, 2022 14:58">12/02/2022</span></p>

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  <a href="/blog/blog/7110620/programme-notes-from-a-third-perspective">Programme notes - From A Third Perspective</a>&nbsp;<span class='reset-font'>&nbsp;<span class="podcast"><img src="//assets-app-production-pubnet.bndzgl.com/assets/usersites/podcast-ff0f451d9e650aa49c1c887f1b4eab6655e151de0aba4c11a992f6637163c058.png" /></span></span>
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  <div class="message"><p>I wasn't planning on doing another programme notes so soon but due to the album release I felt it would be a good idea to break down the title track.</p>
<p>"From A Third Perspective" (I'll shorten it to FATP) is actually a reworking of another one of my compositions ingeniously named "From A Second Perspective".  I was teaching a student and they accidentally hit an odd chord.  It actually wasn't that weird, it was an inverted B flat major chord without the 3rd note but I liked the sound of it.  I told my pupil that I thought it was cool and that I might take the chord and put it in a tune.  He then told me that he wanted me to make up a tune using only those notes as a challenge!</p>
<p>I took the chord and rolled it around over the top of different left hand chords and he was impressed so after he left I decided to go further with it.  I eventually moved the hook around the piano a bit more but I didn't quite know where to go with it until I started messing about with other rhythms and evolved it to become more energetic.  I got the idea from a piece of music from the piano collections from a video game.</p>
<p>This piece then became a favourite with my pupils and I liked how something so simple at heart had morphed into a new piece of music.  </p>
<p>When I started writing the music for "Third Perspective" I knew I wanted to experiment with new techniques and because of the structure of FASP I found this a nice entry point into working with different layers.  I got the idea for this experiment after hearing Olafur Arnalds "Only the winds".  I loved how he used strings along with electronic synths to great effect.</p>
<p>To do this I reworked the piano part to feature a stripped back intro pattern, I lost some of the rhythmic work on the end and created a new middle section.  Over this, I first added a drone note and some pulse work from synth patches to establish some sense of pulse and ambience.  Gradually new layers were added.  These included a clarinet synth sound which played a counter melody, a submarine radar sound which arpeggiated with fade ins and outs and some crystalline effects to add to the chords.  Finally I added a kick drum which I deadened with compression and then a softened cymbal crash for some percussion and also some sweeping string parts to build strength and dynamics.  </p>
<p>These then moved from the theme to the drop and then the bridge part which uses different chords.  This built to climax and then I started to gradually remove these instruments again whilst the piano rolled over a new note sequence until only the piano was left.  The piano then played a more melodic phrase and then the instruments were brought back in quite quickly to crescendo into the climatic ending which used more rhythmic piano before dying away to a final chord.  </p>
<p>Although I would have liked to push things a bit more, the technology I have is very old and was struggling to handle what I wanted to achieve.  Saying this, I am incredibly proud of how this turned out and it has taught me some valuable lessons on the frequency space instruments use as well as how they sound in the mix.  </p>
<p>I will definitely be revisiting synths in the future but probably for more long term projects where I can dedicate more time to them.  </p>
<p>Just so you know, there isn't a "From A First Perspective"! Maybe I need to devolve Second Perspective back to basics for that!</p>
<p>Thanks for reading and have a great day</p></div>
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